Tuesday, 25 December 2018
Be safe and well and have a massively satisfying new year
Well here we are again. Almost the end of another year. The gigging year ended very nicely for me. A trip to Haugesund for the Haugaland Prog and Rock Festival in November turned out to be special. I did a few songs with new friends Arabs in Aspic during their show, and I had a great time hanging out with them. It is likely we will collaborate on a recording project next year. It was nice to have the roar of a band behind me and I really had a great time during my solo set at he Record Fair on the following day. I bumped into many old friends and made a few new ones. John and I had a really good time and John has a high opinion of Norway and the people.
Last gig was at the famous Band on the wall venue in Manchester with Focus. I enjoy playing their gigs and I like their audience a lot. I seem to be able to connect with them although my music is very much of a contrast with Focus. It really helps that the band are very friendly as well as interesting.
Apart from this I have been recording and recording. I seem to have become quite obsessed with the entire process and I am pleased with it all. I guess I am almost half way through toward the finished product. Luke will be heading this way soon to help out with some vocals and orchestrations. Certainly writing posts here has taken a back seat to the recording but so has the fishing so you know I am very serious about my next release.
COMPETITION
The winner of best caption for the cartoon above will receive a special mystery package in the new year containing a few goodies.
Please write your captions in the comments section below.
Have a fun holiday. Be safe and well and have a massively satisfying new year.
peace
Friday, 5 October 2018
this is the life
I should first explain why I have been
so long writing about the Basel adventure at Oli and Angelika's skate
boarding park. When John and I returned I had to get back into
recording. I am currently working on nine songs at this time and they
are all in various states of completion. I'd had a small confidence
dip. I love playing live and that is all going as planned but I began
to worry about the details of the album taking shape.
Working on my own I had expected to
find a few blank days along the way and a little self questioning is
grist to the mill. Then some thing extra ordinary happened. I was
working on a song called Eulia which is a combination of the word
eulogy and the name Julia. I knew the song was important which is not
a word I use with regard to my own material. Any way I had been
listening to the song and others when I decided to turn the vocal up
a good deal more than I usually would. I was astonished. Small
imperfections in guitar parts disappeared and as I did this with all
of the songs so, they all sounded much better. I was very pleased and
all my doubts vanished.
People have commented that they could
not distinguish words clearly enough in the past but I guarantee this
will not be the case with these recordings.
So just before my annual, seriously obsessive fishing trip, I felt happy with all the hard work done on the recordings and I felt I deserved the coming adventure. All good.
Dorset, South Devon and the Norfolk Broads were the venues for the best fishing ever. The trip was a mega fishing adventure with beautiful scenery and decent weather. It was blissful. So many high lights.There was time to write a new song and complete the lyric for another. This is the life.
John and I arrived in Basel on a warm
late afternoon. It was unusual because I was to play on the same day
we flew in which I dont usually do. We drove directly to the skate
board park where I was to play for Oli and Angelika and their
friends. It was Angelika's birthday.
The skate boarding park was built by
Oli and Angelika and the skating community, on land provided by the
local authority. There is a few years left on the lease deal after
which they will move to another site, again provide by the local
authority.
My first impression as we drove into
the area was the warmth and friendliness of every one around. Some
people were already skate boarding around the tracks and jumps. It
was fascinating to me, as some one who has never been on a skate
board, to see the ease with which they seemed to float around
effortlessly with the odd unavoidable glitch.
After some wood fired pizza and some sparkling water I was ready for action and feeling good. The skate boarding park also housed a variety of small buildings and caravan like structures that reminded me of the recycled/upcycled dwellings John and I visited in Trondheim. Music floated out of one and some one was playing keyboards with a north African wind instrument. It was like a fragment of Free Town Chritiania, the community in Denmark. It was very nice to see a place for artists and others together in a great space. There was a small bar and some food was available in a couple of small cafe areas. As it grew dark the lights on the skate board park added a fiesta effect and the music playing for the skate boarders was very cool and appropriate for the activity. A great atmosphere, very nice people. I was very relaxed.
Angelika, yours truly and Oli
I was to use the PA system provided by
a local punk band who were really hot and nice guys. They played
before me in a container. I was astonished to hear how loud they
played in a metal box and I pulled out wanting to protect and sustain
my fairly good hearing after years of massive volumes of sound abuse.
Even more astonishing was how good it
sounded outside.
I was ready. It felt a little strange
at first but I got into my stride and had a great time. It ws so hot
with every one packed into the container. Some one opened a side door
and cool air rushed in. It was magical and I got lost in it all. I
poured it all out and I was exhausted at the end. The bottle of cold
water that John handed me at the end was like manna from heaven. It
was a long way to go and I am always the guest of the best kind of
hosts so I have to try very hard to touch people or it fails. Job
done.
Oli dropped us off at our hotel after a
couple of cognacs and after a well earned sleep we met up with Oli
and Angelika who drove us to a superb family restaraunt just over the
German border. We ate a fine lunch and then headed back into
Switzerland to a magnificent Roman amphi theatre.
The semi ruined structures have been cleverly restored and the ampi theatre is used for a variety of performances. Nearby there is a museum which depects how dwellings were laid out and it houses some extra ordinary artifacts and fine metal work in bronze, gold and silver.
A very fine gold roman plate. probably
It showed a good deal about the Roman way of life in very accessible way. We also looked inside a a nearby Roman baths. There was good information about the way the baths were used and who used them. It was a fascinating little tour. John and I are both interested in history and the landscape it lives in.
amphi theater
The semi ruined structures have been cleverly restored and the ampi theatre is used for a variety of performances. Nearby there is a museum which depects how dwellings were laid out and it houses some extra ordinary artifacts and fine metal work in bronze, gold and silver.
A very fine gold roman plate. probably
a gift to a person of importance
It showed a good deal about the Roman way of life in very accessible way. We also looked inside a a nearby Roman baths. There was good information about the way the baths were used and who used them. It was a fascinating little tour. John and I are both interested in history and the landscape it lives in.
the roman baths
We'd had a great time. I'd enjoyed my
gig and playing for my hosts. It was a great pleasure to meet Oli and
Angelika. They are very cool people and are making a positive
difference for folk while enjoying their sport. May they flourish. It
was a strange and happy coincidence that our hosts in Norway were ski
jumpers and our next hosts were skate boarders. Thank you Oli and
Angelika for a very special time.
peace
peace
Tuesday, 28 August 2018
In Trondheim
On the 8th
August my tour manager John and I checked into a hotel at Gatwick the evening
before our flight to Trondheim in Norway via Oslo. We had intended to chill in
the hotel, eat some dinner and sleep. We had only been in our rooms a while
when we came to the conclusion that it might be cool to go for a drive rather
than sit for a couple of hours in the Travel Lodge. Last year when we stayed at Gatwick, before a flight, we
headed for Brighton where we had fish and chips on the beach. For a change I suggested we
head for Devils Dyke not far from Brighton. This has many memories for me and was the site of a free
EBB gig that landed us in court long a go.
We drove along the lumpy road that leads to a very ugly 60s built pub. It is a monstrosity which seems so out of place in the surrounding beauty of the landscape. John loves his geography so I knew he would be blown away by the huge expanse of chalk hills that rise up and then down abruptly to the valley below the hill we stood on. A skilled operator was showing off his drone which looked quite spectacular against the fading light and dramatic vista. After the intense heat we had all been suffering from the wind was cold and so we left and headed back for dinner at the hotel.
The next day we went on a boat trip to a little island that used to be a prison holding the more notoriously dangerous criminals. From the fort we could see where the old viking strongholds had been situated and why they were there. The rain fell a little on the way back but it was a pleasant change from the excessive heat of recent weeks. The buildings along what is essentially a canal are beautiful and protected by law.
After the boat ride we went on a guided tour of an alternative community in a largely industrial area.
An old German submarine pen dominates the scene on the other side of the community by the water side. Most of the housing in the community is built from re cycled/ up cycled materials. There is a communal garden and a free shop where people take stuff no longer needed and others take it for their own use. There is a cycle repairer who fixes up and build bikes from bits and pieces. The local authority planned to trash the whole area including some old workers housing with a view to housing more industrial facilities. This was overturned and the community arose out of the decision. Can we have more of this please?
Arabs in Aspic are
Jostein Smeby: Songwriter/composer, guitarist, vocals and mixing
Eskil Nyhus: Drums
Stig Arve Jørgensen: Keys and vocals
Erik Paulsen: Bass and vocals
Alessandro Elide: Perc
Thanks to Julia for being Mom. Thanks for the boat trip to Boatowners: Thor Erik Larsen and the man with the lamp, logo and everything, Otto Johnsen.
Thanks for the great welcome at the airport with the man with the van local drummer and teacher Trond Bernhard Olsen, who is also the drummer for 5 local bands.
devils dyke
We drove along the lumpy road that leads to a very ugly 60s built pub. It is a monstrosity which seems so out of place in the surrounding beauty of the landscape. John loves his geography so I knew he would be blown away by the huge expanse of chalk hills that rise up and then down abruptly to the valley below the hill we stood on. A skilled operator was showing off his drone which looked quite spectacular against the fading light and dramatic vista. After the intense heat we had all been suffering from the wind was cold and so we left and headed back for dinner at the hotel.
The flight
to Oslo was fairly uneventful though delayed but we made our connection for the
flight to Trondheim. The waiting around and delays grow ever more irritating
and debilitating so I won't bother recording the details here.
The flight to Trondheim passed over some of the
wild countryside I love and as we landed I felt already at home in my favourite
foreign country. John had not been to Norway before and as always, he was
devouring the sights and scenes with great relish. Our meeting at the airport
was made extra special by the wonderful VW van that was to convey us to the Smeby
home.
the edgar mobile
At this stage
I want to tell you something about our hosts. Both Jostein and Helena Smeby
were Ski Jumpers who competed in national and World championship events and
at the Winter Olympics. This was very interesting for John and myself because
John is an all round sport fan and I have always watched ski jumping in awe. It
seems to me, to be a ludicrously beautiful and dangerous thing. Jostein, who has coached Helena, says he
misses the rush and Helena is quite determined to make a return to to the
sport. Meanwhile Jostein is a teacher at
a local school and is the leader in the band Arabs In Aspic. Helena is a lab
technician at a nearby milk supplier. They have two of the happiest little kids
I've ever seen. They are Wilma and Felix.
One of the
special things about this trip was that we had been invited to stay for a few
days. This is always special giving the opportunity to really engage with folk
and get to know them. The next day was supposed to be about sightseeing or
fishing but the rain poured down and we became more concerned about the concert
in the garden which was to happen on the following day. I felt quite tired so a
day lounging around in good company was very welcome.
A succession
of Jostein and Helena's friends came by and it was very convivial and very
interesting. They all love 70s music and especially if it is on vinyl. A couple of the younger ones seemed to like some of the music since the 70s so that was cool. At one point it seemed like every one had ski
jumped or was ski jumping. One of the younger jumpers had named his son Edgar.
I could never have jumped myself but I like the thought that there might be a
ski jumping star of the future, named after me. I wish him health and happiness what ever he does.
After consuming considerable amounts of good cognac and good conversation on the previous evening and into the early hours, John and I cut back on the following evening before the day of the performance and retired a little bit earlier. The rain held off in the morning and by mid day in spite of the odd shower, the sun came out and it seemed we were set to have our gig in the garden as planned.
After consuming considerable amounts of good cognac and good conversation on the previous evening and into the early hours, John and I cut back on the following evening before the day of the performance and retired a little bit earlier. The rain held off in the morning and by mid day in spite of the odd shower, the sun came out and it seemed we were set to have our gig in the garden as planned.
A pig was
roasting and the garden was a hive of activity. Everyone was working flat out as they had been for many days planning
and organising the event. After a sound
check with Jostein at the mixer we were ready to roll. The weather stayed warm
and bright and I played and sang my heart out. Simple as that. There was
nothing left after one encore. The audience was as good as it gets. They
understood me and that is the key. These people had only really known me
through the EBB catalogue but they embraced the re invention with warmth and enthusiasm.
Most importantly Jostein and Helena were very happy and satisfied so job done.
Mission accomplished.
Later we all
piled into transport to take us to down town Trondheim to a small club in a
cellar where Arabs in Aspic were to
perform a free show as a rehearsal. Most of the equipment was set up when we
arrived and Jostein set about getting his guitar gear together. Soon they were
knocking out their contemporary version of 70s prog rock. The songs are sung in
Norwegian as well as English. They have a tough core with tight arrangements
and screaming keys with some great vintage style organ licks and impossibly high backing vocals. The drummer and
the bass player have obviously been round and round their parts until they seem
effortlessly smooth. The whole is not smooth. It has jagged peaks and fat blocky dynamic frequencies at the centre. The percussionist while new to the band has moments which
are spell binding. With a little refinement it will be special and unusual.
Josteins guitar playing is unusual in that he
rarely plays a double speed part. Actually I get very quickly tired of so much
prog guitar that runs around at top speed with no emotional content what so ever.
The guitar work is very studied, heavy and some times sweet and melodic and there is an emphasis on precision. This is true
of the band in general but not to the exclusion of playing a bit loose in a good
way. The lead vocals don't seem to be so importantly stated as the music but that works and the overall vocal delivery fits like a glove with the music.
In many ways their music would not usually be among my fave genres but the Arabs are not just another flabby prog covers band but are a well drilled outfit who love prog and believe in what they do. Back in the day I winced a bit when the term prog was mentioned in the same breath as the EBB. Having said that I can admire such commitment to a time and a vintage sound that stands up today, especially when so much hard work has gone into it all and it rocks. Arabs in Aspic rock.
In many ways their music would not usually be among my fave genres but the Arabs are not just another flabby prog covers band but are a well drilled outfit who love prog and believe in what they do. Back in the day I winced a bit when the term prog was mentioned in the same breath as the EBB. Having said that I can admire such commitment to a time and a vintage sound that stands up today, especially when so much hard work has gone into it all and it rocks. Arabs in Aspic rock.
It looks like we might be rocking together if
plots and plans come together for a festival appearance in the winter where it
is intended that I sing a couple of songs with them.
The next day we went on a boat trip to a little island that used to be a prison holding the more notoriously dangerous criminals. From the fort we could see where the old viking strongholds had been situated and why they were there. The rain fell a little on the way back but it was a pleasant change from the excessive heat of recent weeks. The buildings along what is essentially a canal are beautiful and protected by law.
along the canal
After the boat ride we went on a guided tour of an alternative community in a largely industrial area.
An old German submarine pen dominates the scene on the other side of the community by the water side. Most of the housing in the community is built from re cycled/ up cycled materials. There is a communal garden and a free shop where people take stuff no longer needed and others take it for their own use. There is a cycle repairer who fixes up and build bikes from bits and pieces. The local authority planned to trash the whole area including some old workers housing with a view to housing more industrial facilities. This was overturned and the community arose out of the decision. Can we have more of this please?
After some refreshment at the community pub we headed off to meet
with Jostein for dinner at the top of the rotating restaurant that dominates
the sky line a mile or so from Jostein and Helena's house. This was so cool
watching the city go by as we ate. Eventually we could see the island we had
visited by boat earlier. The light is special as the evening wears on. It never
really gets dark in the summer unless it is very cloudy.
in the rotating restaurant
Julia is a
Polish woman who is an accomplished artist. She had been visiting for the
concert and is working on the sleeve design for the new Arabs live album She
has made previous art works for Arabs records and is a good friend of Jostein and Helena. Julia was always asking John and
me if we needed anything so often that she decided she would be our new "Mom".
She was concerned when we told he she could have a day off and then we decided
it would be Mothers Day so she could have a day off with a good conscience. It
was all great fun. Late one
night she began to tell John and I something of her life as a child in Poland and
then she told us the story of her grandmother who survived Auschwitz. I have
been working on a song and now I had a story which inspired a lyric. We
discussed a series of paintings that Julia might make around the story and we
both agreed we had provided each other with something to make as creators. Win
- win!
I mention this because this is an example of how travel and engaging
with new people can bring great creative possibilities. I have a couple of
ideas about re working some of Jostein and the bands work and if all of it
comes together in any form this will have been a very productive as well as very
satisfying adventure.
We had spent
some great days with lovely and clever people. The kindness and hospitality shown to us by everyone was overwhelming
at times. Of course our special thanks go to Jostein and Helena for inviting us
into their home and for looking after us so well.
Helena, yours truly and Jostein
Arabs in Aspic are
Jostein Smeby: Songwriter/composer, guitarist, vocals and mixing
Eskil Nyhus: Drums
Stig Arve Jørgensen: Keys and vocals
Erik Paulsen: Bass and vocals
Alessandro Elide: Perc
Thanks to Julia for being Mom. Thanks for the boat trip to Boatowners: Thor Erik Larsen and the man with the lamp, logo and everything, Otto Johnsen.
Thanks for the great welcome at the airport with the man with the van local drummer and teacher Trond Bernhard Olsen, who is also the drummer for 5 local bands.
I look
forward to the next episode of our adventure.
The Switzerland adventure post will follow in a day or so.
peace
The Switzerland adventure post will follow in a day or so.
peace
Sunday, 5 August 2018
A working, living church
pic by dave randell
I think I
have found my current favourite gig and it stands high among the truly great
venues I have played. St John's church in Farncombe is a working, living church
and well loved judging by its condition both inside and outside. We arrived in good time for a sound check.
The sun had been punishing in the south for days and only now did a little rain
begin to fall from the leaden skies promising some cool relief from the
grinding heat. This was another support gig for Focus who I am really warming
to, both as performers and people.
As soon as
we entered the church it felt very welcoming and it was obvious that the assembled
crew and helpers were well used to putting on gigs here. Julian, the promoter
has been putting on shows here for 11 years which amounts to over 200 shows. That says a lot for the church and
relationship between the organisers, church and community. There was absolutely
nothing wrong with this gig. Everything was well honed and my sound check took
little time at all. I was very happy. As soon as the sound check was finished
it was outside in the cool air in the midst of a soft cool shower. Getting a
little damp was a pleasure. The high temperature began to slowly drop a little
and I think all in attendance were thankful.
The dressing
room was the vestry in the church and was filled with the trappings and garments of
the clergy. This was an indication of the kinds of acts playing at St John's
and the respect and trust shown by all to all. I must admit I have come across
a few acts who might not have shown the same respect in such an environment. Perhaps I am being a little harsh. No I am not. I have just thought of one hooligan
band I would be reluctant to share any space with.
pic by dave randell
The church
soon filled and what a delightful audience they were. There were a few of my fans
there and a few more who might have heard something of me but I soon realised
most had not seen me before. This always presents something of a challenge but
one that I embrace. It is a good opportunity to test new songs as well as the
few old songs I still play.
The sound in
the church was simply perfect and I revelled in it. Everything sounded so clear
and the natural reverberations in the building were exquisite. I played for 45
minutes and I think my only error was not playing The Sound Don't Come. The
audience was so nice to me and I left the stage buzzing all over. Job done.
pic by dave randell
Focus soon
followed and they were on really good form. The crowd loved it and I could see why.
Actually they are a class act and better than all the other prog acts I have
supported in the past few years. Most of them are like pale cover bands of
themselves and one band I played with last year was just an hilarious parody of
better days.
So time to
hit the road and back to London with Ramblin' at the wheel. It rained some more but as we entered London
it was clear no rain had fallen and another boiling humid night was coming.
I really
enjoyed this gig so much. It doesn't get any better and if you ever get the
chance to get out to Farncombe for a show don't pass it up.
Since the
gig I have been mostly recording and trying to keep cool. The recording is
going well but I get blocks every so often and lose faith in things. It doesn't
last. I know it is part of the process, for me, so I quickly get back in the stream of things.
I'm off to Norway at the end of the week for a few days and the from there to
Switzerland for a couple of days. I must admit I am starting to look forward to
everything these days. I don't want to miss anything.
Thanks to Dave for looking after me and for the photos.
peace
Wednesday, 18 July 2018
a dream summers night
a dream summers night
In sweltering, humid heat my tour manager John picked me
up to drive us to
Heathrow for the next adventure in Switzerland. We like to
stay in a hotel the night before departure. I also try to arrange a flight
after mid day. I remember when air travel was much more enjoyable and faster.
The time spent hanging around and the increased number of delays is as a direct
result of more people travelling with less resources on the ground. In other
words, the inconvenience experienced by air travellers is caused by simple greed.
Our flight was delayed by about forty five minutes so
not the best start but at least the show was not scheduled until the following
day. Our next adventure in Switzerland will be one where we fly in, play the
same day and return on the following day. That will be a bit more pressured but
do able. The train ride from Zurich to our destination was a treat. The trains
are modern, run on time and are very comfortable. The contrast with recent rail
debacles here is massive. I like travelling by train and would do so more but
for the poor reliability here in the UK.
Our host Kurt Mathis picked us up at the station in
Kreuzlingen which is near Lake Constance. The area is very scenic and very
clean. People do not drop litter here or anywhere else.
I never know what to expect when I am travelling to a
private show but I am never disappointed. Kurt turned out to be a very pleasant
and interesting host. I had met him previously at one of the Chappo gigs at the
Shepards Bush o2 show but only briefly. Kurt took us into town for dinner. John
and I went for the Perch Frites made
from the fish called Zander. Delicious.
After our dinner we sat up until around five in the
morning drinking fine cognac and getting to know each other. part of the night
was spent around the fire Kurt had made in his garden. We all acknowledged the
power of fire and how we all gravitate towards a fire in the open, no matter
where we come from on the planet. It was a great night. I don't do this often
these days although John and I have had a few similar sessions over the years
we have been working together. So finally, to bed and I slept like a log.
I'd had all sorts of plans to visit places of local
interest but it was so hot I opted to loaf around as preparations were being
made for the evening party. The stage was the decking under a balcony of the
new house Kurt's brother is building. The garden is large and the whole place
was once a factory. A very neat PA system was set up and a hunt for a suitable
seat for me was set in motion. Soon I had sound checked the system and I was
very pleased with the sound. The sun was hot but there was plenty of shade.
The time passed steadily. My bedroom was a 2 minute walk
from the stage so it was perfect for preparing for the show.Kurt had hired a woman to run a bar and a couple who
served the best barbecue ever.
Slowly Kurt's guests began to arrive and the DJ kicked off with a good old selection of
the good old days tunes. After sampling the barbecue it was time to perform. As always I had compiled a set list before setting out but I never keep to it. Of
course this is not really possible with a band where things are set out with specific
keyboard sounds and other constraining but necessary chronological events in
mind. Occasionally I would change a song order on stage but rarely.
Halfway through my set some young people began heckling
from a garden nearby. I returned fire with some very strange universal/ non
language based noise which my audience joined in with. We all had a laugh about
that and I continued. My audience was so very attentive and very appreciative. John
reckons I played the definitive version of Belle of Trevelyan. I had been
recording vocals on it some days before the trip so that seems to have helped.
The recording of the new album is going well but slowly and I don't mind. It
will be finished when I am totally satisfied with it. It is a lot to do by myself
but I am enjoying it very much. I do intend to collaborate with a few others as
things develop but there is a way to go before that. My mate Ramblin has
dropped by to do backing vocals and we have been having fun recording his Korg
drum. It is an amazing tool filled with exotic sounds and designed as an instrument
to be played rather than programmed. Excellent!
I have been editing my novel The Instantanium and
writing new sections. It has been a retreat for me for many years. Somewhere to
go to when I need or want to. Now it is time to finish the thing. I could go on
and on with it but the time has come to call a halt.
The temperature in Kurt's lovely garden dropped a little
as I worked through my set. The audience called for an encore. Actually I felt
exhausted. I had poured myself into the songs but I had to return to the stage
for my lovely audience. I cracked out a version of There's a hole in it and
that was me done. All good. I think most had a good time and I know Kurt had
the best time. he had gone to enormous lengths to make this party and my stay
with him a success and it was that in spades. My hosts always look after me
very well and this was no exception. I had a really great time.
Sitting around the fire again after most people had
left was a lovely way to come down after a gig and the company was special. The
people who hang around in the early hours are always cool to me. They are still
awake for a start and they usually have great tales and wisdom to share. After
a few more glasses of cognac and some great interactions I left for my bed. I
wanted to be fairly fresh for the flight home.
Next day I got up at about midday and made my way into
the sun baked garden. John was about with Kurt. We took a few photos,
breakfasted and Kurt took us to the train headed back to Zurich. Everything went
smoothly after that and we arrived back at Heathrow on time, collected the car
from our hotel and headed to London.
After dropping me off John was heading home to
Cornwall. He is one of the few men I know who still loves to drive and he is as
good a driver as I have ever had the pleasure to be driven by. He texted me at around 2.30 am to let me know
he was home safe. All good.
We'd had a great time. I like travelling with John and
he looks after me very well. We are off to Trondheim in the north of Norway for a few days next and then on to Switzerland again a couple of days later. Thanks from both
of us to Kurt who made it all worthwhile.
peace
Wednesday, 4 July 2018
tantula
tantulas in bloom
Hi all. I
know a few folk have been concerned about the lack of blog posts and why they have gone away for a time. I can
assure you all is well with me. As always, thank you for your kind consideration and support.
I decided to
take a break from my usual activities including writing here. A change or two
is as good as a rest and feeds the musical brain and connections with the muse.
Sometimes I come to a point where I am doing what I am doing because I've been
doing it, not because I am developing something. The development is important
along with new things to know and assimilate such as how to propagate the tantula (see above).
I have been recording the new
album and not doing much of anything else. It is going well if a little slowly
at times.
Early
on I realised that this album will be a first,
in so far that this is the first time I am making exactly what I want. That presents a new challenge around the responsibility for the end result. It is some times daunting but also exhilarating. I think
and hope the result will be surprising in some ways. While some of the songs
will be familiar, others will be new and very different from my usual music.
I'm having a great time playing with technology and exploring new toys. It is a
lot of fun and I do get lost in it all at times. It is a great place to hang
out, somewhere in an unfinished song.
Even fishing has taken a back seat to
recording time. Actually the weather hasn't been great for fishing and now it
is too hot but I am not complaining. When I look around me today I see every
reason to be thankful for my lot. I seem to be increasingly more able to accept
the relatively small inconveniences I experience, without complaint.
I'm off to Switzerland tomorrow
with my mate John Bradshaw to play a private gig which promises to be very
special. So life is good. When I get back I will resume here with a post about
our trip.
peace
Tuesday, 23 January 2018
on the road again
bridge fly by
It seems a long time ago when my friend and road manager John picked me up for a mini tour of the north. He drove from Cornwall on Wednesday morning last week and we drove to a Travel Lodge near York where we holed up until Thursday. It was a couple of hours drive to Newcastle for the next date of The Roger Chapman family and friends tour. I had already played Leicester and London the week before. Two thoroughly enjoyable shows for me. I've decided the Shepards Bush 02 gig is my favourite UK venue. I love the sound in there and the Edwardian interior that still looks fabulous.
The weather forecast for our journeying for the next few days looked a bit rough with snow and ice predicted on all sides. As it turned out, for the entire journey, we some how avoided driving in snow. It threatened to fall in Newcastle but didn't. We'd booked a late leave time so it was around 2pm as we headed for Newcastle on Thursday. We had a great gig there and set out for Kinross in Scotland immediatly after my set. We arrived at around midnight. By now a good few inches of snow had fallen but the roads were clear. The Green Hotel in kinross is home to The Backstage venue. It is a cosy 120 seater with a unique, museum like collection of rock memorabilia put together by promoter Dave Mundell. Dave is one of those guys who brings some thing special to the music scene because it's obvious that he really cares.
After a decent sleep John and I hung out in the rather plush if tired hotel. It is huge and rambling with nearby golf greens and a trout lake. Next time at the gig I shall get some fishing in. We sound checked at around 6 0clock after a splendid lunch. John had fish and chips and I had Scottish mussels in a chilli sauce with chips and delicious bread. They served a very nice pint of bitter so I was very happy. So nice to be able to eat and sleep so close to the venue. In this case the door of my room opened onto a staircase that lead down one flight to the entrance to the venue. This was perfect on a harsh wintery day when the venue would usually be a distance from the hotel. So, my very large bedroom was a very luxurious dressing room.
We were wondering if any one would make it on such a wintery night but we need not have worried. The lovely enthusiastic audience were a delight and it was very different and enjoyable for me to play a full set of material as distinct from a short support set for Chappo. Don't get me wrong. I really enjoy playing a support role. I like the lack of pressure and I enjoy playing a short set also.
The show went very well and I think I moved it it all forward during this one performance. Like having an extra gear. I played the sequel to Evening Over Rooftops for the first time and that was well received. The song is called A Bowl of Flowers. I also played In The Half Light which I hadn't played for a long time. I've decided to include it more often. I was determined to utilise freshly discovered possibilities at the next gig at the British Rock and Blues Fest in Skegness. We had a day between the Back Stage gig and Skeggy so that was good. We would be staying in Skegness at the Butlins Holiday venue the night before my afternoon performance next day.
in the half light
The weather forecasts were still a bit grim but still our road was clear as we drove out of Kinross. The miles flew by and after flat acres of grim, desert like agricultural Lincolnshire country side we arrived at Butlins. After struggling to find the block our apartment was in on the Butlins site, we eventually found it. The apartment was a pleasant surprise once we were installed.
An early night was order of the day with a 9 am alarm to get to an 11 am sound check. It is not my idea of fun but it is different and I like different. The night before John had scouted the venue and returned with news that it was a cavernous room that would need 800 folk to make any kind of atmosphere. That was a bit daunting but I don't let things like that worry me these days.We arrived at the gig in perfect time and within ten minutes i was doing my sound check with a top pro crew. It took minutes for a big grin to grow on my face as the lush sound of the big rig filled the stage.
In this cavernous cold place the heating was only just coming on but the dressing room was cosy. The time flew by and soon the very nice young woman who was stage manager called me with five minutes to go. As for the previous, recent shows I had no nerves, just the desire to sing and play.
I peeped through the side curtain and there they were. An audience of about 1800. Now I really wanted to play. I walked out onto the stage and into my second home where I think I gave the best solo performance so far. I feel sure the audience got it and they got me. Enough said.
It was 1.45pm and the rain outside the venue was turning to sleet. Should we stay to spend our artiste food allowances or hit the road. A combination of leaving for every where as soon as possible and a semi intelligent SAT navigation system had served us well so we decided in favour of covering miles as soon a possible. The sleet turned to snow as we drove but didn't settle on the road. It calmed down as we approached Boston and cleared for a while. Driving rain seemed acceptable given all the snow we had managed to avoid. By the time we were in London the rain was gone and that boded well for John's trip home to Cornwall. I guess the total mileage for this trip was around 1500.
Thanks to every one who came and made it a buzzing time. I really had the best time. There were no problems worth a mention. All good. Now a few days off with a little first fishing of 20018 and then I will be recording through February and much of March.
Peace
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